Of the score, two-time Oscar-winning composer Santaolalla (“ Brokeback Mountain,” “ Babel“) revealed that “it’s a challenge. Eric Gautier, production designer Carlos Conti and composer Gustavo Santaolalla. Salles has previously stated in the aforementioned documentary that “any version of “On the Road” done correctly would need to be shot in black and white.” Could these shots then also be an early reflection of the film’s aesthetic style?Īs if we need more reason to be excited, the project also serves as a reunion for Salles with the majority of his behind the camera team from “ The Motorcycle Diaries” including writer Jose Rivera, DP. The project has now been in production since August and, although things have been relatively quiet since a few early set photos, two stills of Hedlund as Moriarty have now been unveiled both interestingly in black and white. Anna Nicole to Pamela: Two Netflix Documentaries Try to Find New Context for the Blonde Bombshell as Cultural Icon
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